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・ Charles Lynwood Smith, Jr.
・ Charles Lyon
・ Charles Lyon (disambiguation)
・ Charles Lyon (sailor)
・ Charles Lyon, 6th Earl of Strathmore and Kinghorne
・ Charles Loftus Bates
・ Charles Loftus, 1st Marquess of Ely
・ Charles Logan
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・ Charles Logan (author)
・ Charles Logasa
・ Charles Logue
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・ Charles Lollar
Charles Loloma
・ Charles Lombaert
・ Charles Lombahe-Kahudi
・ Charles Lomberg
・ Charles London
・ Charles Long
・ Charles Long (ABSRA)
・ Charles Long, 1st Baron Farnborough
・ Charles Longbottom
・ Charles Longcroft
・ Charles Longley
・ Charles Longsworth
・ Charles Longuet
・ Charles Lonsdale
・ Charles Loomis Dana


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Charles Loloma : ウィキペディア英語版
Charles Loloma

Charles Loloma (January 7, 1921 – June 9, 1991) was an American artist of Hopi ancestry.
==Early life and education==
He was born near Hotevilla, Hopi Third Mesa to Rex and Rachael Loloma, of the Badger clan. He attended Phoenix Indian High School in Arizona where he began his artistic career as a muralist and painter when he was asked by Fred Kabotie to assist in the reproduction of murals from the Awatovi site on the Hopi reservation for New York's Museum of Modern Art. Loloma later worked with Kabotie and René d'Harnoncourt on murals in the Federal Building on Treasure Island in San Francisco Bay for the Golden Gate International Exposition in 1939.
Charles married Otellie Pasiyava, a Hopi potter from Second Mesa, Arizona.〔(Laura Graves, "Otellie Loloma," in Gretchen M. Bataille and Laurie Lisa, eds., ''Native American Women: A Biographical Dictionary'' (Routledge 2003): 188-189. ) ISBN 9781135955878〕 He served in the military from 1942 to 1945〔(【引用サイトリンク】url=http://wwii-army.mooseroots.com/l/8326501/Charles-S-Loloma )〕 with the 331st Army Engineers where he was stationed in the Aleutian Islands. In 1947, thanks to the GI Bill, and on the advice of Indian commissioner William H. Beatty, Loloma attended Alfred University's School for American Craftsmen in Alfred, New York. There, he and his wife Otellie both earned a Certificate in Pottery, which was presented on August 15, 1949. In the program, the Lolomas learned how to make stronger mixes of clay along with modern methods of forming and firing pieces, including glazes. Loloma's goal was to bring these techniques to the Hopi people to make them more self-sufficient.

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